THE BLOOMING HOUSE

Video appears in the windows as a sequence only visible from the street.

Interior and exterior do not align.
The image shifts between spatial planes and scales.
Reality and projection overlap without stabilising.

Plant images are extracted, transformed and recomposed.
They no longer describe a place.
They form a field in which organic growth and image construction intersect.

The windows suggest visibility, but do not grant access.
They produce the illusion of an interior that cannot be entered.

The work operates between observation and displacement.
What appears as documentation unfolds as a constructed image space.

Supported by the Department of Art and Culture,
Museums Tempelhof-Schöneberg, Berlin
(Draussenstadt / BESD)