My work operates on images as part of a collective visual memory.

Images are not isolated objects.
They circulate, repeat, sediment, and return across cultural space.

I work with these image forms through recording, collecting, comparison, re-contextualization, and translation.

Photography and video remain central because they bind the work to material encounters:
light, surface, movement, duration.

The image is not generated.
It is encountered, recorded, and transformed through operations.

Earlier works focus directly on archives, image streams, and collective visual systems.

Recent works shift this logic toward self-produced material, treating it as part of the same collective image memory.

AI enters this practice as an operative memory system and dialogical structure within this field.

It does not produce the work.
It operates within the processes through which images, text, video, and spatial structures are constructed.

notation is an ongoing web-based project.

It translates this dialogical and operative logic into spatial form:
not as documentation, but as a medium with its own temporal and spatial conditions.

My work moves across photography, video, text, sound, and spatial constellations,
working on the structures through which images persist, transform, and reappear.